|This article is about the TV Series episode. You may be looking for The Vatos Gang.|
|Season 1, Episode 4|
|Air Date|| November 21, 2010|
AMC (United States)
November 26, 2010
Fox (United Kingdom)
|Written By||Robert Kirkman|
|Directed By||Johan Renck|
|U.S. Viewers||4.75 million|
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"Tell It to the Frogs"
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| Andrew Lincoln as Rick Grimes|
Jon Bernthal as Shane Walsh
Sarah Wayne Callies as Lori Grimes
Laurie Holden as Andrea
Jeffrey DeMunn as Dale Horvath
Steven Yeun as Glenn Rhee
Chandler Riggs as Carl Grimes
| Norman Reedus as Daryl Dixon|
Emma Bell as Amy
Andrew Rothenberg as Jim
Juan Pareja as Morales
Noel G. as Felipe
Andrea and Amy sit in a canoe on the quarry lake, fishing. Amy holds an umbrella to protect herself from the sun. An argument starts over the type of fishing knot their father used, and they realize that their father taught them different fishing knots based on Andrea's need to catch the fish, and Amy's need to throw them back. Both women are on the verge of tears before Andrea evokes their father's rule, "Remember what dad says, no crying in the boat. Scares the fish." Amy asks Andrea if she thinks that their mom and dad are alright, suggesting that "maybe Florida wasn't hit so bad." Andrea gives her a sorrowful look as they break the rule anyway. "I think it was more for Dad than the fish," reasons Andrea, sniffling.
On the rooftop in Atlanta, an enraged Daryl Dixon has just discovered his brother Merle's severed hand on the ground. He angrily points his crossbow at T-Dog, who doesn't show any fear, but relents when Rick pulls his revolver and aims at Daryl, telling him that he doesn't care if every walker in the city hears him shoot it. Daryl pulls his crossbow away from T-Dog and asks him for a do-rag. As T-Dog silently obliges him, Daryl folds Merle's hand up and places it in Glenn's backpack, much to Glenn's disappointment. Daryl follows the trail of Merle's blood along the rooftop while T-Dog grabs the hacksaw and Dale's toolkit.
Back at the campsite, Dale approaches Jim, who refuses to respond as he digs what appear to be graves. Dale's concern mounts quickly when Jim won't take a drink of water, despite the intense late summer heat. Amy and Andrea, meanwhile, present the group with their lines of fish — a huge catch. Morales thanks the women, expressing gratitude that his children would have food to eat. Carl asks them if they could teach him how to fish like that, and Lori says she wouldn't argue with that, impressed by the girls' efforts. Dale interrupts the excitement to express concern over Jim, and points him out still furiously digging on the hilltop.
Daryl shoots another walker with his crossbow and notes his brother killed another two dead walkers in the room "one-handed." The trail of blood leads Daryl, Rick, Glenn, and T-Dog to a kitchen, where Sterno cans burn next to an iron steak weight crusted with skin — the result, they speculate, of Merle cauterizing his stump. "Nobody can kill Merle but Merle," says Daryl. The broken window leading to the fire escape tells them that Merle left the building, and Rick agrees to help Daryl search the streets for his brother. When they look to T-Dog and Glenn to see if they're in, T-Dog scoffs. "Only if we get those guns first," he says. "I'm not strolling the streets of Atlanta with just my good intentions, okay?"
"If I don't...then what?" Jim challenges him. "Then you're gonna beat my face in like Ed Peletier, aren't'cha." He swings his shovel at Shane, who tackles him. Subdued, Jim cries over the death of his wife and two sons. "The only reason I got away," Jim tells the terrified group, "is 'cause the dead were too busy eating my family."
In an abandoned office above the department store in Atlanta, Glenn outlines a plan to retrieve Rick's bag of guns on an old whiteboard. Daryl will watch his back from the store's alley, while Rick and T-Dog cover a second alley two blocks away. Either way, Glenn says, he'll have a safe place to run. The men agree with his well-constructed plan, and Daryl asks him, "Hey kid, what'd you do before all this?"
"Delivered pizzas," Glenn answers. "Why?"
Glenn and Daryl climb down the ladder to the alley, and Glenn drops his backpack while Daryl stays behind to cover him. On the street, Glenn runs towards the tank. Walkers are waking up all around him, but he grabs the bag — and Rick's hat — without much trouble and heads back toward Daryl. In the alley, a teenager, Miguel, approaches Daryl, who trains his crossbow on the teen, interrogating him about his brother Merle. Miguel screams, "Help me!" in Spanish despite Daryl's warnings.
Rick and T-Dog, hearing Miguel's screams, also head for the alley. Daryl is jumped by two men, Jorge and Felipe, who have also come for the guns — which Glenn has just arrived to the alley with. He turns to run the other way but the men grab and start beating him, taking the bag of guns. Daryl fires an arrow into Felipe's butt, and he yells in pain as he drops the bag. But he and Jorge instead grab Glenn, throw him in a getaway car while fighting off walkers, and drive off — leaving Miguel and the guns behind. Daryl shuts the gate in the alley to keep out the walkers before turning on the teenager. Rick and T-Dog arrive just in time to pull Daryl off Miguel as Daryl explains that his friends took Glenn. Taking Miguel with them, Rick grabs the bag of guns, and his hat, and they head back up the ladder to the roof.
At camp, Shane has tied Jim to a tree and is offering him water. Unlike earlier when Dale offered him a drink, this time Jim accepts it easily. Lori and Carol are doing schoolwork at a table nearby with Carl and Sophia. Shane tells Jim he's going to keep him tied to the tree until he no longer thinks Jim's a danger to himself or others. Jim apologizes for scaring the children, and Lori forgives him on account of sunstroke. Dale asks why he was digging. "I had a reason, don't remember," Jim says. "Something I dreamt." He tells Carl that the boy was in his dream, and that his dad was there, too. "You were worried about him," Jim tells Carl. "Can't remember the rest."
He asks Carl if he's worried about his dad — Carl is, saying, "He's not back yet." Lori tries to end the conversation but Jim continues. "That man, he's tough as nails. Ain't nothin' gonna stop him gettin' back here to you and your momma, I promise you that." Shane agrees with Jim before distracting Carl and Sophia. "Who wants to help me clean some fish?" he asks, and they run off behind him with Carol and Dale. Lori approaches Jim once everyone leaves, and he ominously tells her not to let Carl out of her sight.
Back inside the abandoned office building, Rick's looking for answers while a confused T-Dog wonders what they've gotten themselves into. Daryl's still seething over Glenn's kidnapping and getting jumped by Miguel's men. Miguel points out he jumped him first, demanding to know what he did with his brother. He further insults him by saying, "Merle? What kind of a hick name is that? I wouldn't name my dog Merle." Daryl threatens Miguel by throwing Merle's severed hand in his lap, letting him think that's what happened to the last guy who crossed him. Miguel cowers and Rick throws Daryl off him. He just wants to know where to find Glenn, and manages to convince Miguel to take them there.
Miguel leads Rick, Daryl and T-Dog to an abandoned factory, where the leader of the group, Guillermo, emerges. Rick proposes trading Miguel for Glenn, but has no interest in giving up his bag of guns. With T-Dog aiming a sniper's bullet at his head from a nearby rooftop, Guillermo demands the bag of guns, threatening to kill Glenn if they don't hand it over. "I see two options," says Guillermo, as his men emerge carrying weapons. They shove Glenn on the edge of a rooftop, his mouth covered with tape and his hands tied behind his back. "You come back with Miguel and my bag of guns, everybody walks. Or you come back locked and loaded. We'll see which side spills more blood."
Rick and the group retreat to a nearby foreman's office, where Daryl argues that the guns are more valuable than Glenn — but Rick insists he owes more than that to him. "What life I have I owe to him," he says, loading his shotgun while he recalls what Glenn did for him when he was stuck inside the tank. Rick knows how dangerous the mission could be, that he might get killed when he goes back to the factory, and tells Daryl and T-Dog to head back to the campsite. But they won't let him go alone and wouldn't know what to tell his family, so they too load their guns and grab Miguel.
Rick escorts him into the warehouse carrying the guns on his back. Rick cuts Miguel loose and demands Guillermo hand over Glenn. Guillermo tells Rick that he's going to chop up Glenn and feed him to his three vicious man-eating dogs. "You said come locked and loaded," Rick says. "We're here." Guillermo's men raise their guns in response.
An old woman wearing a nightgown, Abuela (Felipe's grandmother), shuffles into the middle of the standoff, asking Felipe for help with "Mr. Gilbert." She notices Rick's uniform and begs him not to take Felipe away, saying he's turned his life around and they need him here. Rick tells the old woman that Felipe is helping him find a missing person. "The Asian boy? He's with Mr. Gilbert," she says, taking Rick's hand.
Abuela leads Rick into a nursing home auditorium, where several elderly people (and Glenn) are grouped around an asthmatic man. Felipe helps the man with an inhaler. Guillermo's "three vicious dogs" are teacup-sized chihuahuas, and they yap at the group as the survivors realize what's really going on.
Rick pulls Guillermo aside and tells him, "You're the dumbest son of a bitch I ever met. We came in here ready to kill every last one of you." Guillermo explains he was only trying to protect the food and medicine for the residents. The staff abandoned the patients, Guillermo explains, leaving only himself (the building custodian) and Felipe (a nurse) behind. People will trickle in to check on their grandparents, and suddenly he's the leader of a group of young men, women, and the elderly. Guillermo wonders why the people look to him for leadership. "Because they can," Rick says with tears in his eyes, handing him some of his guns and ammunition.
Rick, Glenn, T-Dog, and Daryl walk back to the cube van, and Glenn jokes, "Admit it. You only came back to Atlanta for the hat." Rick smiles. "Don't tell anybody," he says. They find the van missing. "Merle," Rick says. "He's going to be taking some vengeance back to camp," Daryl predicts, and they take off running for the hills with no other cars in sight.
Back at camp, Andrea roots through Dale's RV looking for wrapping paper. "It's Amy's birthday tomorrow. I've been marking days on the calendar to make sure," she tells Dale, showing him the mermaid necklace she took from the department store. "You don't give a gift unwrapped." Dale assures her that he'll find something.
The group is preparing for a fish cookout, and Morales proudly shows off the upgraded campfire, with higher rocks to protect higher flames. Carl walks to the tree with Shane, who frees Jim and invites him to the fish fry.
Ed, his face bruised and swollen, broods in his tent, declining Carol's invite to join the group for the fish fry. He grabs Sophia's arms and tells her to stay with him, but Carol says forcefully, "She wants to join in," and they leave. His injuries from Shane's beating are severe, which we see for the first time.
As they sit around the campfire after dark, Morales asks Dale why he still winds his wristwatch every day. Jacqui agrees that it's pointless, ever since the world ended. "It's important to keep track," Dale explains, paraphrasing a Faulkner parable about a father giving his son a watch — "the mausoleum of all hope and desire."
"You are so weird," laughs Amy, heading to the RV to use the bathroom. Ed, meanwhile, hears rustling outside his tent. He thinks it's Carol bugging him to join the group, and unzips the flap to yell at her, but instead he finds a walker. It topples him, biting his neck as more walkers swarm in.
Amy emerges from the RV, complaining that they're out of toilet paper, as a walker approaches from behind the door and bites her arm. Amy screams and Andrea turns to see her sister being attacked, with walkers tearing into her neck, and she looks on in horror as the camp is sent into a panic.
Walkers attack from all directions, grabbing and devouring people all over the campsite. Shane orders Lori to get Carl and everyone else into the RV as he fires his shotgun. Andrea runs for Amy as Jim and Morales beat down walkers with baseball bats.
Rick and the others, running toward camp, hear gunshots in the distance and quicken their pace, while back at the RV, Amy is dying from blood loss. Rick, Glenn, Daryl, and T-Dog arrive and quickly shoot the remaining walkers. The survivors begin to catch their breath as Carl runs tearfully into Rick's arms, and Lori looks on, terrified.
"I don't know what to do," Andrea cries. Amy touches Andrea's face, choking, then falls still. Andrea, sobbing, screams Amy's name as the group looks on in tears. Stunned, Jim speaks: "I remember my dream now. Why I dug the holes."
There are dozens of dead bodies all over the campsite — both humans and walkers — and the group looks upon the carnage despairingly.
"Vatos" originally aired on November 21, 2010 in the United States on AMC. The episode attained 4.75 million viewers upon airing, and garnered a 2.7/4 HH rating. Additionally, it received a 2.4/6 rating in the 18–49 demographic, according to Nielsen ratings. "Vatos" became the highest-rated cable program of the night, and the ninth most-watched cable program of the week. Ratings and total viewership for the episode moderately declined from the preceding installment, "Tell It to the Frogs", which was watched by 5.07 million viewers and a 2.5/7 rating in the 18–49 demographic. In the United Kingdom, the episode received 467,000 viewers and became the highest-rated cable program on FX of the week dated November 28.
"Vatos" attained general acclaim from television critics. James Poniewozik of TIME asserted that the episode successfully made the viewers experience the daily life of the show's characters, and HitFix's Alan Sepinwall felt that "Vatos" was the strongest episode since the series' pilot episode. In his 7.9 out of 10 star review, Josh Jackson of Paste wrote: "The whole spectrum of human nature is on view when civilization is stripped away—the bigger the immediate threat, the more varied the response. And it’s this balance between action/horror and personal drama that makes The Walking Dead so compelling." Los Angeles Times writer Gina McIntyre felt that Kirkman "seemed right at home adapting his characters for the screen."
John Griffiths, writing for Us Weekly, felt the installment was haunting enough to "make viewers leave their lights on afterward", and opined that the character development and the progression of the storylines served as the episode's highlights. John Serba of The Grand Rapids Press stated that "Vatos" was the most emotionally poignant episode of The Walking Dead so far. Expressing similar sentiments, IGN's Eric Goldman evaluated the episode as "strong", ultimately giving it a nine out of ten, signifying an "amazing" rating. Leonard Pierce of The A.V. Club, who issued the episode a B grade, was less enthusiastic than the general consensus. Pierce felt that the bulk of the episode was "mushy" and concluded that it "didn't solve anything involving the ongoing plot and introduced a bunch of arbitrary, needless complications that had no payoff, [and] bogged it down quite a bit."
Critics praised the interactions between Amy and Andrea. Serba asserted that Kirkman effectively set up Amy's death at the beginning of the episode, and added that it established a sisterly bond. Serba also acclaimed Laurie Holden's performance; he stated that she "powerfully conveys her grief and despair."Pierce avouched that the opening sequence was likable, while Michelle Kung of The Wall Street Journal summated that the concluding scene was "an emotional release after a tense build-up."
Critics were divided about Rick Grimes' return to Atlanta, as well as his stand off with Guillermo and his gang. Scott Meslow of The Atlantic compared Grimes to Mad Men's Don Draper, and questioned his character development: "So far, every decision Rick has made has been both within his code and consequence-free," he said. Pierce opined: "Dramatically, this whole sequence plays out pretty hokily. Guillermo's dialogue is ridiculous, and the entire storyline plays like something out of an episodic social-lesson-of-the-week show. Since nothing ends up coming of it from a plot standpoint [...], it's hard not to think of it as one of those comics where two superheros have a big fight scene that turns out to be mistaken identity."
- First (and last) appearance of Guillermo.
- First (and last) appearance of Felipe.
- First (and last) appearance of Miguel.
- First (and last) appearance of Abuela.
- First (and last) appearance of Jorge.
- First (and last) appearance of Mr. Gilbert.
- First (and last) appearance of Vatos Dogs.
- This is the only episode of Season 1 written by Robert Kirkman.
- A vato is a Hispanic youth; guy; dude.The name of the episode, "Vatos," refers to the fact that the opposing group that tried to take Rick's bag of guns called themselves, "vatos." In the previous episode, "Tell It to the Frogs," Morales used the term to describe Rick when he was first introduced to the Atlanta survivors, calling him a, "crazy vato."
- Gregory Nicotero, consulting producer and one of the special effects makeup artist, portrays the zombie that kills Amy.
- Ugo.com makes 15 comparisons between the Comic Series and the episode.
- Bellwood Quarry is the location of the lake that Andrea and Amy fished on. Taken from this thread: "Following the completion of mining, the Bellwood Quarry was acquired by the City of Atlanta for a mixed-use recreational/park facility and water reservoir."
- An Atlanta Camp Survivor extra, Orlando Vargas, was originally supposed to be credited and had a longer scene for his death when the zombies attacked the camp. Ultimately, the scene was deleted and Orlando remained uncredited.
- Once Shane tackles Jim, pinning him down after he is digging holes, Jim expresses what had happened to his wife and sons. In this shot, we see him pinned down to the ground, his hat knocked off. But in the next shot, Jim's hat is back on his head.
- In several close-up scenes of Daryl with the crossbow, you can clearly see that it's not loaded correctly. The nock of the bolt (arrow) is resting well above the bow string and no way would it fire properly.
- When the grandmother appears during the stand-off, Rick lowers his rifle towards the ground, away from Guillermo. In the next shot, there is a jump-cut, as the rifle is suddenly back up, pointed at Guillermo again. We then see Rick lowering the rifle a second time from a different angle.
- ↑ http://www.imdb.com/name/nm3450008/
- ↑ appears in a deleted scene in Vatos. Asked on Facebook "Hey there. I had my IMDb credit removed, because they ended up deleting the entire scene. The scene was in the Vatos episode. However, I did hear someone say that they saw me. So, I don't know. I never saw it! I have pics of me and Neil Brown, Irone Singleton, and Noel Gugliemi on my imdb photos album tho!" (See images: TDP, with Felipe, with Guillermo, with T-Dog)
- ↑ 104's Nielsen Ratings
- ↑ Seidman, Robert
- ↑ Weekly Top 10
- ↑ Vato, Wiktionary.
- ↑ Inside The Walking Dead: 104, "Vatos", AMC (November 21, 2010)
- ↑ Fitzpatrick, Kevin. The Walking Dead Comics-to-TV Comparison:"Vatos", Ugo (November 22, 2010).
|Episodes of The Walking Dead|
|Season 1||"Days Gone Bye" • "Guts" • "Tell It to the Frogs" • "Vatos" • "Wildfire" • "TS-19"|
|Season 2||"What Lies Ahead" • "Bloodletting" • "Save the Last One" • "Cherokee Rose" • "Chupacabra" • "Secrets" • "Pretty Much Dead Already" • "Nebraska" • "Triggerfinger" • "18 Miles Out" • "Judge, Jury, Executioner" • "Better Angels" • "Beside the Dying Fire"|
|Season 3||"Seed" • "Sick" • "Walk With Me" • "Killer Within" • "Say the Word" • "Hounded" • "When the Dead Come Knocking" • "Made to Suffer" • "The Suicide King" • "Home" • "I Ain't a Judas" • "Clear" • "Arrow on the Doorpost" • "Prey" • "This Sorrowful Life" • "Welcome to the Tombs"|
|Season 4||"30 Days Without An Accident" • "Infected" • "Isolation" • "Indifference" • "Internment" • "Live Bait" • "Dead Weight" • "Too Far Gone" • "After" • "Inmates" • "Claimed" • "Still" • "Alone" • "The Grove" • "Us" • "A"|
|Season 5||"No Sanctuary"|